Showing posts with label Will Rogers. Show all posts
Showing posts with label Will Rogers. Show all posts

Wednesday, April 17, 2024

More Marion Davies

Photo by Geisler & Andrews Studio [Frank E. Geisler (1867-1935) and Mae Andrews, partners 1917-21]


Marion Davies was the top female star in films in 1922, as well as “Queen of the Screen,” after the artistic triumph of the heavily-promoted WHEN KNIGHTHOOD WAS IN FLOWER (1922), about which Will Rogers duly noted that her next picture would be called WHEN ELECTRIC LIGHT WAS IN POWER.

Monday, April 8, 2024

Lupino and Lauri Lane

Lupino Lane (Henry William George Lupino, 1892-1959) with his son Lauri Lupino Lane (1921-1986).


Lupino first went on the stage at the age of four, and he was professional from early adolescence. Lane achieved renown in a 1921 pantomime production of ALADDIN, where (per Wikipedia) he “dived through sixty three stage traps in six minutes” at the Hippodrome in London. He had already appeared on Broadway in AFGAR (1920-21) with his wife, Violet Blythe. Three years later he was back, performing in the long-running ZIEGFELD FOLLIES OF 1924 (1924-25) with Will Rogers. His final appearance in New York was as Ko-Ko in the Shuberts’ MIKADO (1925).

Friday, February 16, 2024

Will Rogers

Will Rogers (William Penn Adair Rogers, 1879-1935) by Alexander Paul Kahle (1886-1968)


Rogers started out as a trick roper in a circus in South Africa; over the course of the next fifteen years he gradually added ad-libbed speech to his act. In 1915, he joined the ZIEGFELD MIDNIGHT FROLIC cast — atop the New Amsterdam Theatre — extending his run into 1916. He moved on to the FOLLIES in 1917, becoming a regular (1917-18 and 1921-25); he also continued to appear from time to time at the MIDNIGHT FROLIC as well as Ziegfeld’s NINE O’CLOCK REVIEW.


He could make films during the day, in New Jersey, before reporting to the theater in Manhattan. Sam Goldwyn brought him out west, and Rogers later worked for Hal Roach. In all he made 71 films, most of them silent: with sound he became a superstar.


His dry wit managed to be sharp without alienating his listeners. His newspaper columns, like his live performances, radio shows, and film work, turned him into a beloved American sage. It was Will Rogers who said “I am not a member of an organized political party. I am a Democrat.” He also wanted his gravestone to read “I never met a man I didn’t like.”


He was committed to promoting American aviation, and died in Alaska on an aerial surveying trip with Wiley Post.